Just an in-class exercise: no need to respond here…
- Each pair will be assigned one of the five questions: make sure you’re clear on which question is yours!
- 10 minutes to talk with a partner about it: just grab the person next to you!
- then we’ll share your pair’s thoughts with the big group
- The role of religion grows toward the end of the novel in ways that have some echoes with Earthseed: in both cases, myths or faith traditions are sites of cultural hybridity and fluidity that present an alternative to rational liberal traditions. How are the myths of Bon Bibi and Dokkhin Rai represented in the part we read for today?
- The theme of the boundary between the animal and the human, which is an important part of the Bon Bibi myths of course, emerges many times as we approach the end of the novel. How does the notion of a firm separation between humans and animal others come up? What does the novel seem to be saying to us here?
- As many of you have noted, Kanai remains a remarkably unsympathetic character through much of the novel. How does his portrayal change in the section we read for today? What are some signs, both “inner” and “outer,” that he has undergone a transformation of sorts? What do you think Ghosh intends by staging such a dramatic transformation in this character?
- The love triangle uniting (or separating) Piya, Kanai, and Fokir is one of the central sources of dramatic tension in the novel. As of the part that you read, where do things stand? How do you read this resolution, if you can call it that, of the novel’s romance plot? What predictions do you have of where this aspect of the novel is headed as we approach the end?
- How do you read the novel’s ending? Is it tragic, comic, ironic, or some mixture of these? Where does the novel leave each of the principal characters, and what does that positioning say about the novel’s overarching message?
